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ئەم وێنەیە ھەڵبژێردراو بوو لە ویکیمیدیا کۆمنز (Featured pictures) و ھەڵبژێردراوە بۆ ئەوەی ببێت بە باشترین وێنەکان.  ئەم وێنەیە ھەڵبژێردراو بوو لە ویکیپیدیا ئینگلیزی (Featured pictures) و ھەڵبژێردراوە بۆ ئەوەی ببێت بە باشترین وێنەکان. ئەگەر وێنەیەکی ھاوشێوەت ھەبوو نموونە دەتواندرێت باربکرێت لەژێر مۆڵەتنامەی Commons:Licensing مۆڵەتنامەی گونجاو، ھەستە بە باری کە، و مافی بپارێزە، و بیپاڵێوە.

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Even if the attribution to Gavarni is wrong, this is almost 180 years old; quite simply, no-one could have lived long enough for it to be an issue.

	This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.

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1. ↑ Compare the mirror-flipped signature at https://archive.org/stream/gavarnig00gava#page/48/mode/2up and consider also File:Paul_Gavarni_-_The_Barmaid_-_Walters_371442.jpg and File:Paul_Gavarni_-_Gulliver_and_the_Brobdingnagian_Philosophers_-_Walters_371482.jpg and File:Paul Gavarni - Lady on Sofa - Walters 371427.jpg. Add in that this was then lithographically reproduced, and that Gavarni did a lot of work in title pages, and worked for the Thierry brothers.